Bibliography and Selected Reviews
 

1967

Mario Amaya "Forclosure on Art", Financial Times (12.8.67)

1969

Nigel Gosling Exhibition Review, The Observer (3.7.69)

Edwin Mullins "Another Look at Pop", Sunday Telegraph (3.7.69)

Paul Overy Exhibition Review, Financial times (5.7.69)

Guy Brett Exhibition Review, Times (8.7.69)

1972

Nigel Gosling Exhibition Review Arts, Observer (9.4.72)

Edward Wolfram Exhibition Review, Arts Review (April 1972)

Edward Lucie-Smith, Six Artists, Sunday Times (3.12.72)

Michael Shepherd Exhibition Review, Sunday Telegraph (3.12.72)

Nigel Gosling Exhibition Review, Observer (17.12.72)

1978

Lucien Myers "Glynn Williams - Is Progress Automatic"

Stone Industries Magazine (Nov. 1978)

1979

Francis Spalding "Stockwell Depot Exhibition", Arts Review (2.9.79)

Peter Fuller "Stockwell Depot Exhibition", Art Monthly, No. 30 (1979)

1980

James Faure-Walker "Cannizaro Park", Artscribe No.24 (August 1980)

1981

Peter Fuller "Back to the Body", New Society (24.9.81)

Steve Baker "Attitudes" at Yorkshire Sculpture Park, Artscribe No. 32, Dec 1981

Peter Fuller "Attitudes Exhibition", Art Monthly Dec 1981

Charles Harrison, British Sculpture in the 20th Century, Art Monthly, (December)

John Russell-Taylor "British Sculpture in the 20th Century, Times (15.12.81)

1982

Irene McMannus "Attitudes", Guardian (8.2.82)

Shelagh Hourahane Catalogue Intro "Sculpture in a Park"

James Faure-Walker "British Sculpture in the 20th Century"

Artscribe No. 33 (Feb 1982)

Peter Fuller "Sculptural Betrayal", Village Voice N.Y. (6.4.82)

Edward Lucie-Smith "Drawing a Creative Thought", Times (6.11.82)

Beatrice Philpots "Glynn Williams", Art Review (Nov 82)

Peter Fuller "Carving a Niche for Sculpture", New Society (16.12.82)

1983

Michael Billam "Glynn Williams at Blond Fine Art", Artscribe No 38 (Feb 1983)

Ian Biggs "Why Sculpture", Artscribe No 41 (June 1983)

Peter Fuller "A Shared Symbolic Order", Aspects (Spring 1983)

Peter Fuller "Gothic Revival", Aspects (July 1983)

Robert Ayers "Sculpture Placed", Artscribe No 43 (October 1983)

Peter Fuller "A Black Cloud over the Hayward", Art Monthly No. 70 (Oct 83)

Peter Fuller "Lee Grandjean and Glynn Williams" from "The Naked Artist", Writers and Reader Press

1984

David Lee "Figures in a Garden", Arts Review (12.6.84)

Sally Festing "A Dance to the Music of Stone", T.H.E.S (6.7.84)

1985

Roger Mills Catalogue Intro, "British Artists in Italy 1920-80"

Peter Fuller Catalogue Preface, "Glynn Williams - Recent Carvings"

Peter Fuller Interview with Mathew Collings, Artscribe No 52 (May 1985)

Sarah Kent Glynn Williams Exhibition, Time Out (6.6.85)

David Lee "Glynn Williams", Arts Review (7.6.85)

William Feaver "Glynn Williams at Bernard Jacobson Gallery, The Observer, (9.6.85)

Caroline Collier "Glynn Williams", Artscribe No 53 (Jul 85)

Norbert Lynton Catalogue Intro, "Human Interest" Exhibition

Peter Fuller "Glynn Williams" from "Images of God", Chatto and Windus 1985

Peter Fuller Catalogue Intro, "Rocks and Flesh" Exhibition

1986

Peter Fuller Catalogue Intro, "Feeling Through Form" Exhibition

Valdamar Januszczak "Puzzling at the Naked Truth", Guardian (10.12.86)

Edward Lucie-Smith and Sean Kelly "Self-Portrait, A Modern ViewÓ, Serema Press

1987

John Griffiths"International Sculpture Since 1945 ", Sculpture Today issue of Art and Design Magazine (Nov 87)

Hugh Cumming "A British Sculpture Survey", Sculpture Today issue of Art & Design Magazine (Nov 87)

Peter Fuller "Modern Sculpture a Contradiction in Terms", Sculpture Today issue of Art and Design Magazine (Nov 87)

Sarah Howell "Artists Face to Face", Observer Colour Magazine (13.9.87)

David Lee "The Self Portrait", Arts Review (Oct 87)

Edward Lucie-Smith "Sculpture since 1945", Phaidon Press

1988

Peter Fuller The Cambridge Guide to the Arts in Britain Vol.9 Cambridge University Press

John McEwan "Art and the Act of Creation", Sunday Times Magazine, (8.5.88)

Max Wykes-Joyce "Mother and Child" Exhibition at Lefevre Arts Review (20.5.88)

David Lee "Artists in Resident", Arts Review Year Book 1988

Valdamar Januszczak "The Nature of British Art", Modern Painters No.2 Summer 1988

William Feaver "Self Portrait", Observer (25.9.88)

Giles Auty "Glynn Williams at Bernard Jacobson Gallery", Spectator (26.11.88)

John Russell-Taylor "Glynn Williams", Times (29.11.88)

Peter Fuller in Conversation with Glynn Williams, published by Bernard Jacobson Gallery

Patrick Reytiens "Glynn Williams", The Tablet (24.12.88)

Peyton Skipworth "Stoneworks Exhibition", Burlington Magazine (Dec 88)

Susan Morris "Glynn Williams", Arts Review (Dec 88)

1989

Amanda Sebestyen "Glynn Williams Exhibition", New Statesman (6.1.89)

David Lee "Wimbledon Sculpture", Arts Review Year Book 1989

Edward Lucie-Smith "Contemporary Sculpture in a New Dimension", The Independent (7.1.89)

Linda Saunders "Glynn Williams, The Journey Up", The Green Book, Vol. III No 1 June 1989

Peter Fuller "Better then Collecting All those Twigs", Sunday Telegraph (11.6.89)

Geraldine Norman, New Art Market Column, The Independent (3.4.89)

Edward Lucie-Smith, Contemporary Art Market Column The Independent (11.9.89)

1990

Peter Fuller "Farewell Andy Warhol", Sunday Telegraph (21.1.90)

Edward Lucie-Smith, "Art in the Eighties" Phaiden

Brian Sewell "Hanging Offences", Evening Standard (7.6.90)

Catalogue Introduction, Northern Centre for Contemporary Art - Sunderland

Edward Lucie-Smith, "British Contemporary Art 1910-1990, the Herbert Press 1991

Iain Gale, " At the Breaking Point", Independent (17.8.91)

Adrian Searle, "Glynn Williams", Time Out (23.10.91)

Giles Auty, "Beings Verses Behemoths", Spectator (26.10.91)

Charles Hall, "Glynn Williams", Arts Review (1.11.91)

Geraldine Norman, "Works Fuel Debate on Meaning of Sculpture", Independent (4.11.91)

Richard Dorment, "Glynn Williams", Daily Telegraph (11.1.91)

Brian Sewell, Review, Evening Standard (14.11.91)

Who's Who, (Entry) - annually

Debretts, "People of Today" (Entry) - annually

1992

Tom Devonshire-Jones, Church Times (10.1.92)

Julia Spry-Leverton, Interview with Glynn Williams, Sculpture Magazine February 1992

Interview with Tim Marlow, Modern Painters Summer 1992 Vol 5 No 2

Glynn Hughes, catalogue essay "Glynn Williams", Modern Masters series published Bernard Jacobson Gallery

Who's Who in Art (entry) - annually

1993

Best of British (Entry)

Interview at Kilpeck Church, Art Review June 1993

Martin Gayford, "Hammer Blow to Sculpture", Daily Telegraph (21.10.92)

1994

Review of Glynn Williams Exhibition, Giles Auty, 'Modern Painters' Magazine, Winter 1994

1995

"Five Hundred Leaders of Influence", (Entry) American Biographical Institute-Inc

Sarah Jane - Checkland Evening Standard article on the Purcell Memorial

1995/6

Art Today - Edward Lucie-Smith

1998

Who's Who in Education

2000

Richard Cork, review of sculptures in an Abbey and a Cathedral (5.6.00)